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Foram encontradas 47.310 questões.

4240093 Ano: 2026
Disciplina: Inglês (Língua Inglesa)
Banca: Legalle
Orgão: Pref. Fagundes Varela-RS
Sex Pollution
        Sex pollution is a concept found in cultural anthropology - specifically in the work of lrzlary Douglas.
         In her book Purity and Danger, she examined some of the different ways modern and more primitive peoples determine what is clean and unclean.
        Douglas explain ed that "dirt is essentially disorder." When we clean something, we are "positively reordering our environment, making it conform to an idea."
        When something or someone is determined to be dirty, it has been contaminated by a thing from a different category. Until it is cleaned or purified, it is partially out of order.
       In Douglas's words, "rituals of purity and impurity create unity in experience." What is out of order becomes alien, dissonant, and suspect, making everyone else uncomfortable.
            Sexual pollution occurs when the sexes interact in a way that blurs or ofÍends boundaries between males and females, arrd disorder is created between the sexes.
         In the case of men, it is usually believed that sexual pollution weakens virility and diminishes their masculine power.
        Some readers may be familiar with the primitive practice of constructing "menstrual huts" that separate menstruating women from men. Tribes that engaged in this practice viewed menstruating women as impure or tainted in some way, and believed that their feminine impurity could infect or pollute the masculine energy of the tribe's men - ultimately weakening them and making the tribe as a whole more vulnerable.
         Menstrual huts are a simple example of a practice dealing with the concept of sex pollution. There are a wide variety of other ways that cultures have sought to contain female energy to maintain an ordered separation of male and female sexual identity.
         Symbolically speaking, masculine identity always represents the creation of distance and separation from the feminine, the safety oÍ the nurturing mother, and a protected womb-like existence. Virility is established and maintained by venturing away from the world of women and out into the wild, dangerous world of the men who contend with danger and uncertainty at the edge of the cultural perimeter and beyond. Establishing a masculine identity always means establishing that men are not women through the creation or revelation of contrast between the sexes.
Fonte: https://www jack-donovan.com/sowilo /2024 /07 /06/beyond -theman-cave-sex-pollution and-the-retreat of-men-from-the-arts/
In the third paragraph, Ivlary Douglas states that when we clean, we are positively re-ordering our environment, making it conform to an idea. Regarding the word making in this sentence, mark the alternative that CORRECTLY describes its function and provides a grammatically equivalent rewrite.
 

Provas

Questão presente nas seguintes provas
4240092 Ano: 2026
Disciplina: Inglês (Língua Inglesa)
Banca: Legalle
Orgão: Pref. Fagundes Varela-RS
Sex Pollution
        Sex pollution is a concept found in cultural anthropology - specifically in the work of lrzlary Douglas.
         In her book Purity and Danger, she examined some of the different ways modern and more primitive peoples determine what is clean and unclean.
        Douglas explain ed that "dirt is essentially disorder." When we clean something, we are "positively reordering our environment, making it conform to an idea."
        When something or someone is determined to be dirty, it has been contaminated by a thing from a different category. Until it is cleaned or purified, it is partially out of order.
       In Douglas's words, "rituals of purity and impurity create unity in experience." What is out of order becomes alien, dissonant, and suspect, making everyone else uncomfortable.
            Sexual pollution occurs when the sexes interact in a way that blurs or ofÍends boundaries between males and females, arrd disorder is created between the sexes.
         In the case of men, it is usually believed that sexual pollution weakens virility and diminishes their masculine power.
        Some readers may be familiar with the primitive practice of constructing "menstrual huts" that separate menstruating women from men. Tribes that engaged in this practice viewed menstruating women as impure or tainted in some way, and believed that their feminine impurity could infect or pollute the masculine energy of the tribe's men - ultimately weakening them and making the tribe as a whole more vulnerable.
         Menstrual huts are a simple example of a practice dealing with the concept of sex pollution. There are a wide variety of other ways that cultures have sought to contain female energy to maintain an ordered separation of male and female sexual identity.
         Symbolically speaking, masculine identity always represents the creation of distance and separation from the feminine, the safety oÍ the nurturing mother, and a protected womb-like existence. Virility is established and maintained by venturing away from the world of women and out into the wild, dangerous world of the men who contend with danger and uncertainty at the edge of the cultural perimeter and beyond. Establishing a masculine identity always means establishing that men are not women through the creation or revelation of contrast between the sexes.
Fonte: https://www jack-donovan.com/sowilo /2024 /07 /06/beyond -theman-cave-sex-pollution and-the-retreat of-men-from-the-arts/
The text introduces a specific anthropological concept describing it as a phenomenon deeply rooted in cultural practices. With this in mind, read the following excerpt:

_________ is often viewed as ________ violation of esta blished social boundaries.

Fill in the blanks CORRECTLY and respectively:
 

Provas

Questão presente nas seguintes provas
4240091 Ano: 2026
Disciplina: Inglês (Língua Inglesa)
Banca: Legalle
Orgão: Pref. Fagundes Varela-RS
Sex Pollution
        Sex pollution is a concept found in cultural anthropology - specifically in the work of lrzlary Douglas.
         In her book Purity and Danger, she examined some of the different ways modern and more primitive peoples determine what is clean and unclean.
        Douglas explain ed that "dirt is essentially disorder." When we clean something, we are "positively reordering our environment, making it conform to an idea."
        When something or someone is determined to be dirty, it has been contaminated by a thing from a different category. Until it is cleaned or purified, it is partially out of order.
       In Douglas's words, "rituals of purity and impurity create unity in experience." What is out of order becomes alien, dissonant, and suspect, making everyone else uncomfortable.
            Sexual pollution occurs when the sexes interact in a way that blurs or ofÍends boundaries between males and females, arrd disorder is created between the sexes.
         In the case of men, it is usually believed that sexual pollution weakens virility and diminishes their masculine power.
        Some readers may be familiar with the primitive practice of constructing "menstrual huts" that separate menstruating women from men. Tribes that engaged in this practice viewed menstruating women as impure or tainted in some way, and believed that their feminine impurity could infect or pollute the masculine energy of the tribe's men - ultimately weakening them and making the tribe as a whole more vulnerable.
         Menstrual huts are a simple example of a practice dealing with the concept of sex pollution. There are a wide variety of other ways that cultures have sought to contain female energy to maintain an ordered separation of male and female sexual identity.
         Symbolically speaking, masculine identity always represents the creation of distance and separation from the feminine, the safety oÍ the nurturing mother, and a protected womb-like existence. Virility is established and maintained by venturing away from the world of women and out into the wild, dangerous world of the men who contend with danger and uncertainty at the edge of the cultural perimeter and beyond. Establishing a masculine identity always means establishing that men are not women through the creation or revelation of contrast between the sexes.
Fonte: https://www jack-donovan.com/sowilo /2024 /07 /06/beyond -theman-cave-sex-pollution and-the-retreat of-men-from-the-arts/
In her book, Mary Douglas explained a fundamental idea about how societies perceive cleanliness. With this in mind, mark the CORRECT alternative.
 

Provas

Questão presente nas seguintes provas
4240090 Ano: 2026
Disciplina: Inglês (Língua Inglesa)
Banca: Legalle
Orgão: Pref. Fagundes Varela-RS
Sex Pollution
        Sex pollution is a concept found in cultural anthropology - specifically in the work of lrzlary Douglas.
         In her book Purity and Danger, she examined some of the different ways modern and more primitive peoples determine what is clean and unclean.
        Douglas explain ed that "dirt is essentially disorder." When we clean something, we are "positively reordering our environment, making it conform to an idea."
        When something or someone is determined to be dirty, it has been contaminated by a thing from a different category. Until it is cleaned or purified, it is partially out of order.
       In Douglas's words, "rituals of purity and impurity create unity in experience." What is out of order becomes alien, dissonant, and suspect, making everyone else uncomfortable.
            Sexual pollution occurs when the sexes interact in a way that blurs or ofÍends boundaries between males and females, arrd disorder is created between the sexes.
         In the case of men, it is usually believed that sexual pollution weakens virility and diminishes their masculine power.
        Some readers may be familiar with the primitive practice of constructing "menstrual huts" that separate menstruating women from men. Tribes that engaged in this practice viewed menstruating women as impure or tainted in some way, and believed that their feminine impurity could infect or pollute the masculine energy of the tribe's men - ultimately weakening them and making the tribe as a whole more vulnerable.
         Menstrual huts are a simple example of a practice dealing with the concept of sex pollution. There are a wide variety of other ways that cultures have sought to contain female energy to maintain an ordered separation of male and female sexual identity.
         Symbolically speaking, masculine identity always represents the creation of distance and separation from the feminine, the safety oÍ the nurturing mother, and a protected womb-like existence. Virility is established and maintained by venturing away from the world of women and out into the wild, dangerous world of the men who contend with danger and uncertainty at the edge of the cultural perimeter and beyond. Establishing a masculine identity always means establishing that men are not women through the creation or revelation of contrast between the sexes.
Fonte: https://www jack-donovan.com/sowilo /2024 /07 /06/beyond -theman-cave-sex-pollution and-the-retreat of-men-from-the-arts/
Mary Douglas's work explores the boundaries between categories. With this in mind, match the columns by associating the grammatical and lexical units as they are structured in the text's arguments:

Column 1:
(1) Essential.
(2) Unity in.
(3) Rituals of
Column 2:
( ) experience
( ) disorder.
( ) impurity.

Which alternative CORRECTLY fills in the parentheses above, from top to bottom?
 

Provas

Questão presente nas seguintes provas
4240089 Ano: 2026
Disciplina: Inglês (Língua Inglesa)
Banca: Legalle
Orgão: Pref. Fagundes Varela-RS
Sex Pollution
        Sex pollution is a concept found in cultural anthropology - specifically in the work of lrzlary Douglas.
         In her book Purity and Danger, she examined some of the different ways modern and more primitive peoples determine what is clean and unclean.
        Douglas explain ed that "dirt is essentially disorder." When we clean something, we are "positively reordering our environment, making it conform to an idea."
        When something or someone is determined to be dirty, it has been contaminated by a thing from a different category. Until it is cleaned or purified, it is partially out of order.
       In Douglas's words, "rituals of purity and impurity create unity in experience." What is out of order becomes alien, dissonant, and suspect, making everyone else uncomfortable.
            Sexual pollution occurs when the sexes interact in a way that blurs or ofÍends boundaries between males and females, arrd disorder is created between the sexes.
         In the case of men, it is usually believed that sexual pollution weakens virility and diminishes their masculine power.
        Some readers may be familiar with the primitive practice of constructing "menstrual huts" that separate menstruating women from men. Tribes that engaged in this practice viewed menstruating women as impure or tainted in some way, and believed that their feminine impurity could infect or pollute the masculine energy of the tribe's men - ultimately weakening them and making the tribe as a whole more vulnerable.
         Menstrual huts are a simple example of a practice dealing with the concept of sex pollution. There are a wide variety of other ways that cultures have sought to contain female energy to maintain an ordered separation of male and female sexual identity.
         Symbolically speaking, masculine identity always represents the creation of distance and separation from the feminine, the safety oÍ the nurturing mother, and a protected womb-like existence. Virility is established and maintained by venturing away from the world of women and out into the wild, dangerous world of the men who contend with danger and uncertainty at the edge of the cultural perimeter and beyond. Establishing a masculine identity always means establishing that men are not women through the creation or revelation of contrast between the sexes.
Fonte: https://www jack-donovan.com/sowilo /2024 /07 /06/beyond -theman-cave-sex-pollution and-the-retreat of-men-from-the-arts/
Read the following sentence: Tribes that engaged in this practice viewed menstruating women as impure. If we rewrite this sentence to focus on the duration of the practice in the past beÍore another event occurred, the MOST appropriate structure would be:
 

Provas

Questão presente nas seguintes provas
4240088 Ano: 2026
Disciplina: Inglês (Língua Inglesa)
Banca: Legalle
Orgão: Pref. Fagundes Varela-RS
Sex Pollution
        Sex pollution is a concept found in cultural anthropology - specifically in the work of lrzlary Douglas.
         In her book Purity and Danger, she examined some of the different ways modern and more primitive peoples determine what is clean and unclean.
        Douglas explain ed that "dirt is essentially disorder." When we clean something, we are "positively reordering our environment, making it conform to an idea."
        When something or someone is determined to be dirty, it has been contaminated by a thing from a different category. Until it is cleaned or purified, it is partially out of order.
       In Douglas's words, "rituals of purity and impurity create unity in experience." What is out of order becomes alien, dissonant, and suspect, making everyone else uncomfortable.
            Sexual pollution occurs when the sexes interact in a way that blurs or ofÍends boundaries between males and females, arrd disorder is created between the sexes.
         In the case of men, it is usually believed that sexual pollution weakens virility and diminishes their masculine power.
        Some readers may be familiar with the primitive practice of constructing "menstrual huts" that separate menstruating women from men. Tribes that engaged in this practice viewed menstruating women as impure or tainted in some way, and believed that their feminine impurity could infect or pollute the masculine energy of the tribe's men - ultimately weakening them and making the tribe as a whole more vulnerable.
         Menstrual huts are a simple example of a practice dealing with the concept of sex pollution. There are a wide variety of other ways that cultures have sought to contain female energy to maintain an ordered separation of male and female sexual identity.
         Symbolically speaking, masculine identity always represents the creation of distance and separation from the feminine, the safety oÍ the nurturing mother, and a protected womb-like existence. Virility is established and maintained by venturing away from the world of women and out into the wild, dangerous world of the men who contend with danger and uncertainty at the edge of the cultural perimeter and beyond. Establishing a masculine identity always means establishing that men are not women through the creation or revelation of contrast between the sexes.
Fonte: https://www jack-donovan.com/sowilo /2024 /07 /06/beyond -theman-cave-sex-pollution and-the-retreat of-men-from-the-arts/
Analyze the following statements and mark T (True) or F (False):

( ) In the segment found in the second paragraph, the verbal forms cleaned and purified act as past participles in a passive voice structure where the subject receives the action.
( ) In the phrase located in the third paragraph, the term making functions as a present participle that introduces a clause expressing a resultative state.
( ) In the expression from the second paragraph, the word unity serves as an adjective that modifies the noun experience according to standard English word order.
( ) In the clause appearing in the third paragraph, the word that represents a conjunction and can be substituted by the word what without affecting the syntax.

Which alternative CORRECTLY fills in the parentheses above, from top to bottom?
 

Provas

Questão presente nas seguintes provas
4240087 Ano: 2026
Disciplina: Inglês (Língua Inglesa)
Banca: Legalle
Orgão: Pref. Fagundes Varela-RS
Sex Pollution
        Sex pollution is a concept found in cultural anthropology - specifically in the work of lrzlary Douglas.
         In her book Purity and Danger, she examined some of the different ways modern and more primitive peoples determine what is clean and unclean.
        Douglas explain ed that "dirt is essentially disorder." When we clean something, we are "positively reordering our environment, making it conform to an idea."
        When something or someone is determined to be dirty, it has been contaminated by a thing from a different category. Until it is cleaned or purified, it is partially out of order.
       In Douglas's words, "rituals of purity and impurity create unity in experience." What is out of order becomes alien, dissonant, and suspect, making everyone else uncomfortable.
            Sexual pollution occurs when the sexes interact in a way that blurs or ofÍends boundaries between males and females, arrd disorder is created between the sexes.
         In the case of men, it is usually believed that sexual pollution weakens virility and diminishes their masculine power.
        Some readers may be familiar with the primitive practice of constructing "menstrual huts" that separate menstruating women from men. Tribes that engaged in this practice viewed menstruating women as impure or tainted in some way, and believed that their feminine impurity could infect or pollute the masculine energy of the tribe's men - ultimately weakening them and making the tribe as a whole more vulnerable.
         Menstrual huts are a simple example of a practice dealing with the concept of sex pollution. There are a wide variety of other ways that cultures have sought to contain female energy to maintain an ordered separation of male and female sexual identity.
         Symbolically speaking, masculine identity always represents the creation of distance and separation from the feminine, the safety oÍ the nurturing mother, and a protected womb-like existence. Virility is established and maintained by venturing away from the world of women and out into the wild, dangerous world of the men who contend with danger and uncertainty at the edge of the cultural perimeter and beyond. Establishing a masculine identity always means establishing that men are not women through the creation or revelation of contrast between the sexes.
Fonte: https://www jack-donovan.com/sowilo /2024 /07 /06/beyond -theman-cave-sex-pollution and-the-retreat of-men-from-the-arts/
Analyze the following statements

I. If something is determined to be dirty because it has been contaminated by something from a different category, it is partially out of order until it is cleaned.
II. If something is determined to be dirty because it has been contaminated by something from different category, it is partially out of order until is cleaned.
III. lf something is determined to be dirty because it has been contaminated by something from a diÍÍerent category, it partially of order until it is cleaned.
IV. lf something is determined to be dirty because it has been contaminated by something from a different category, it partially out of order until it cleaned.

Which of the text's paraphrases about contamination creating disorder is CORRECT?
 

Provas

Questão presente nas seguintes provas
4239163 Ano: 2026
Disciplina: Inglês (Língua Inglesa)
Banca: FUNDATEC
Orgão: Pref. Nova Candelária-RS

The First Edition of Emily Brontë’s ‘Wuthering Heights’

By Ellen Wexler

When Emily Brontë published Wuthering Heights in 1847, several critics used the word

“strange.” As the New York Times’ B.D. McClay points out, one review simply began, “This is a

strange book,” while others described the novel as “strangely original” and “a strange, inartistic

story.” “Wuthering Heights is a strange sort of book—baffling all regular criticism; yet, it is

impossible to begin and not finish it,” another observed. “We strongly recommend all our

readers who love novelty to get this story, for we can promise them that they never have read

anything like it before.”

The novel’s first edition was divided into two volumes, released alongside a third volume

containing Agnes Grey, a novel by Emily’s younger sister, Anne. The siblings published under

the pseudonyms Ellis and Acton Bell. Of the estimated 250 copies printed, only a few complete

copies survive with their full-cloth binding intact. On June 30, Christie’s will sell the first edition’s

three volumes in one lot at an auction in London, where the collection is expected to go for

between $540,000 and $800,000. “The last time one appeared at auction was in 1908, so no

collector alive has had a chance to acquire one,” says Mark Wiltshire, a books and manuscripts

specialist at Christie’s.

When Emily and Anne saw the printed editions, they realized that the books contained a

number of errors. Some pages were marked with the wrong numbers, while others contained

incorrect or missing punctuation. Perhaps the most egregious mistakes were six misspellings

of “Agnes Grey” and three misspellings of “Heights”. In letters written in the weeks after

publication, their sister Charlotte complained that the volumes were full of “errors of the press”

that she described as “mortifying.”

Writing under the pseudonym Currer Bell, Charlotte had published her own debut novel,

Jane Eyre, earlier the same year, and it had been an immediate success. She was deeply

protective of her younger sisters, and she was disappointed that their publisher, Thomas

Cautley Newby, had allowed so many mistakes to make it to press. “If Mr. Newby always does

business in this way,” she wrote, “few authors would like to have him for their publisher a

second time.” Newby hoped to capitalize on the popularity of Jane Eyre, but Wuthering Heights,

which explored darker themes, didn’t enjoy the same level of success.

The story is set against the dramatic, untamed moors of Yorkshire, which is also where

the Brontë siblings grew up. The Brontës’ childhood was marked by tragedy, as most family

members died young from tuberculosis. In 1850, after Emily’s death, Charlotte’s publisher

released a second edition of Wuthering Heights. Charlotte fixed the errors from the first edition

and revealed her sister’s identity in a biographical notice. Emily didn’t live to see her novel

become so beloved, admired by the likes of Ernest Hemingway, Joan Didion and Virginia Woolf.

Few surviving first-edition copies still have their original binding. Wiltshire has only been

able to track down five others: Three are in the university libraries of Leeds, Oxford, and

Princeton universities, according to a statement, while the fourth is housed at the British Library

in London. The fifth, which contains Charlotte’s annotations, is missing several pages, and it

sold for $86,500 in 2009.

(Available at: https://www.smithsonianmag.com/smart-news/the-first-edition-of-emily-brontes-wuthering-heights-contained-incorrect-page-numbers-missing-punctuation-and-three-misspellings-of-the-word-heights-180989005/ – text specially adapted for this test).

In the sentence “Newby hoped to capitalize on the popularity of Jane Eyre” (l. 27), “capitalize on” means:
 

Provas

Questão presente nas seguintes provas
4239162 Ano: 2026
Disciplina: Inglês (Língua Inglesa)
Banca: FUNDATEC
Orgão: Pref. Nova Candelária-RS

The First Edition of Emily Brontë’s ‘Wuthering Heights’

By Ellen Wexler

When Emily Brontë published Wuthering Heights in 1847, several critics used the word

“strange.” As the New York Times’ B.D. McClay points out, one review simply began, “This is a

strange book,” while others described the novel as “strangely original” and “a strange, inartistic

story.” “Wuthering Heights is a strange sort of book—baffling all regular criticism; yet, it is

impossible to begin and not finish it,” another observed. “We strongly recommend all our

readers who love novelty to get this story, for we can promise them that they never have read

anything like it before.”

The novel’s first edition was divided into two volumes, released alongside a third volume

containing Agnes Grey, a novel by Emily’s younger sister, Anne. The siblings published under

the pseudonyms Ellis and Acton Bell. Of the estimated 250 copies printed, only a few complete

copies survive with their full-cloth binding intact. On June 30, Christie’s will sell the first edition’s

three volumes in one lot at an auction in London, where the collection is expected to go for

between $540,000 and $800,000. “The last time one appeared at auction was in 1908, so no

collector alive has had a chance to acquire one,” says Mark Wiltshire, a books and manuscripts

specialist at Christie’s.

When Emily and Anne saw the printed editions, they realized that the books contained a

number of errors. Some pages were marked with the wrong numbers, while others contained

incorrect or missing punctuation. Perhaps the most egregious mistakes were six misspellings

of “Agnes Grey” and three misspellings of “Heights”. In letters written in the weeks after

publication, their sister Charlotte complained that the volumes were full of “errors of the press”

that she described as “mortifying.”

Writing under the pseudonym Currer Bell, Charlotte had published her own debut novel,

Jane Eyre, earlier the same year, and it had been an immediate success. She was deeply

protective of her younger sisters, and she was disappointed that their publisher, Thomas

Cautley Newby, had allowed so many mistakes to make it to press. “If Mr. Newby always does

business in this way,” she wrote, “few authors would like to have him for their publisher a

second time.” Newby hoped to capitalize on the popularity of Jane Eyre, but Wuthering Heights,

which explored darker themes, didn’t enjoy the same level of success.

The story is set against the dramatic, untamed moors of Yorkshire, which is also where

the Brontë siblings grew up. The Brontës’ childhood was marked by tragedy, as most family

members died young from tuberculosis. In 1850, after Emily’s death, Charlotte’s publisher

released a second edition of Wuthering Heights. Charlotte fixed the errors from the first edition

and revealed her sister’s identity in a biographical notice. Emily didn’t live to see her novel

become so beloved, admired by the likes of Ernest Hemingway, Joan Didion and Virginia Woolf.

Few surviving first-edition copies still have their original binding. Wiltshire has only been

able to track down five others: Three are in the university libraries of Leeds, Oxford, and

Princeton universities, according to a statement, while the fourth is housed at the British Library

in London. The fifth, which contains Charlotte’s annotations, is missing several pages, and it

sold for $86,500 in 2009.

(Available at: https://www.smithsonianmag.com/smart-news/the-first-edition-of-emily-brontes-wuthering-heights-contained-incorrect-page-numbers-missing-punctuation-and-three-misspellings-of-the-word-heights-180989005/ – text specially adapted for this test).

Analyse the statements below about the following excerpt:

“If Mr. Newby always does business in this way, few authors would like to have him for their publisher a second time.” (l. 25–27)

I. It is a conditional sentence.

II. The first clause expresses a condition, while the second expresses a hypothetical consequence.

III. The conditional clause refers to a completed action in the past.

Which ones are correct?

 

Provas

Questão presente nas seguintes provas
4239161 Ano: 2026
Disciplina: Inglês (Língua Inglesa)
Banca: FUNDATEC
Orgão: Pref. Nova Candelária-RS

The First Edition of Emily Brontë’s ‘Wuthering Heights’

By Ellen Wexler

When Emily Brontë published Wuthering Heights in 1847, several critics used the word

“strange.” As the New York Times’ B.D. McClay points out, one review simply began, “This is a

strange book,” while others described the novel as “strangely original” and “a strange, inartistic

story.” “Wuthering Heights is a strange sort of book—baffling all regular criticism; yet, it is

impossible to begin and not finish it,” another observed. “We strongly recommend all our

readers who love novelty to get this story, for we can promise them that they never have read

anything like it before.”

The novel’s first edition was divided into two volumes, released alongside a third volume

containing Agnes Grey, a novel by Emily’s younger sister, Anne. The siblings published under

the pseudonyms Ellis and Acton Bell. Of the estimated 250 copies printed, only a few complete

copies survive with their full-cloth binding intact. On June 30, Christie’s will sell the first edition’s

three volumes in one lot at an auction in London, where the collection is expected to go for

between $540,000 and $800,000. “The last time one appeared at auction was in 1908, so no

collector alive has had a chance to acquire one,” says Mark Wiltshire, a books and manuscripts

specialist at Christie’s.

When Emily and Anne saw the printed editions, they realized that the books contained a

number of errors. Some pages were marked with the wrong numbers, while others contained

incorrect or missing punctuation. Perhaps the most egregious mistakes were six misspellings

of “Agnes Grey” and three misspellings of “Heights”. In letters written in the weeks after

publication, their sister Charlotte complained that the volumes were full of “errors of the press”

that she described as “mortifying.”

Writing under the pseudonym Currer Bell, Charlotte had published her own debut novel,

Jane Eyre, earlier the same year, and it had been an immediate success. She was deeply

protective of her younger sisters, and she was disappointed that their publisher, Thomas

Cautley Newby, had allowed so many mistakes to make it to press. “If Mr. Newby always does

business in this way,” she wrote, “few authors would like to have him for their publisher a

second time.” Newby hoped to capitalize on the popularity of Jane Eyre, but Wuthering Heights,

which explored darker themes, didn’t enjoy the same level of success.

The story is set against the dramatic, untamed moors of Yorkshire, which is also where

the Brontë siblings grew up. The Brontës’ childhood was marked by tragedy, as most family

members died young from tuberculosis. In 1850, after Emily’s death, Charlotte’s publisher

released a second edition of Wuthering Heights. Charlotte fixed the errors from the first edition

and revealed her sister’s identity in a biographical notice. Emily didn’t live to see her novel

become so beloved, admired by the likes of Ernest Hemingway, Joan Didion and Virginia Woolf.

Few surviving first-edition copies still have their original binding. Wiltshire has only been

able to track down five others: Three are in the university libraries of Leeds, Oxford, and

Princeton universities, according to a statement, while the fourth is housed at the British Library

in London. The fifth, which contains Charlotte’s annotations, is missing several pages, and it

sold for $86,500 in 2009.

(Available at: https://www.smithsonianmag.com/smart-news/the-first-edition-of-emily-brontes-wuthering-heights-contained-incorrect-page-numbers-missing-punctuation-and-three-misspellings-of-the-word-heights-180989005/ – text specially adapted for this test).

Mark the INCORRECT statement about the text
 

Provas

Questão presente nas seguintes provas